Pen Art(General Remarks)
이점에 대하여 깊이 생각할 필요가 있다.
결합(結合)하면 신비함을 갖는다. 그리고 펜의 예술은 자연의 근본적인 색채의 본질
And no one is able to work not dare to imitate.
근본적인 본질은 무한(無限)하고 영원함이 있으며, 흑, 백의 조화는 예술적(藝術的)으로
자연색은 검은 색이다. 녹색이 식물의 본질적인 색채인 것처럼
Pen Art is the only genre is an important work In the world.
The works are extremely valuable.
색채의 본질에서 보면 흑(黑), 백(白)의 조화는 자연의 근본적(根本的)이다.
일반적으로 펜의 끝에서 흘러나오는 선과 점이
이룬 뒤에야 가능하고, 혼(魂)을 담는 완벽한 선율이 전제 되어야 한다.
에서부터 시작하여 근본적인 색채의 본질에서 끝을 맺는다.
흰 화면에 검은색을 칠하면 靈이 흰 화면에 이입(移入)된다.
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"Lee Young Jun PEN ART"
변화무쌍하기 때문에 형언할 수 없는 표현으로 이어진다.
The staff are knowledgeable and always up for a friendly and, if you’re interested, thought-provoking conversation about the work on display or your interests in and experiences with art.
펜의 예술은 자연의 근본적인 색채의 본질에서부터 시작한다.
절대적인 어둠 속에서 어떤 생명의 운동도 있을 수 없다.
흑, 백의 조화 속에 고고(孤高)하고 생생한 선율이 흰 화면에 영이 이입될 때 비로소 영의 세계는 창조(創造)된다.
검은 선(線), 검은 면(面)과 만날 때, 흰색은 부활(復活)한다.
색을 구분할 수 있게 해주는 것이 빛의 본질적인 작용이다.
I loved the show of Stanley Boxer and Joyce Weinstein. My Mom Dorothy Berenson Blau handled both Boxer and Weinstein in her Bal Harbour, Florida gallery of 52 years, I missed seeing the canvases in her gallery and now got to view them at Flanders. The sensitive textures and depth and thick media lets your mind wander. I LOVED THE SHOW. Thank You, Jim Berenson Hopkins, Minnesota
I am Artist Lee Young Jun.
흰색 또는 빛은 영(靈)의 혼적(魂的)인 영상이다.
검은색이 자연의 본질(本質)이라면, 검은색은 죽음의 영적(靈的)인 영상이다.
모든 작품이 그러하다.
영(靈)이란 검은색 속에 이입될 수 있는 유일한 것이며, 영과 혼의 색채 흑(黑), 백(白)을
과연, 예술성을 갖출 수 있겠는가 라는 점이다.
Perfected the genre.
펜의 예술이라고 하면 깊이가 무한함이 있을까?
조명이 없는 어두운 곳에서는 색을 볼 수 없듯이
검은 색을 통하여 영을 표현할 수 있다.
Any art gallery that hosts artists who culturally appropriate is not a gallery worth going to.
그 상징성은 정신의 깊이에 따라 변화무쌍(變化無雙)하다.
The hope my work can be sympathy to many people. Thank you.
Flanders Gallery has a friendly and informative staff. You can view old masters, contemporary classics, and regional artists. This is time well spent for an outing in the city!
타버린 숯은 검은색으로 남는 본질적인 색상이다.
흰색이 검은색과 결합(結合)할 때 명암(明暗)이 이뤄진다.
At Flanders I’ve found a surprising range of artworks I’m awfully glad I encountered (usually, for the first time) and that I would consider living with, which I consider a significant distinction. It’s not because they’re well crafted decorative works. They are well crafted, but also have a depth (though they can be light-hearted) in how consistently they exhibit a love of the subject, often a place or a moment, and how eloquently they make tribute to that subject.
I am a Korean.
I pioneered the " Lee Young Jun Pen Art " and
(총론 :總論)PEN ART(Korea)
그리하여 예술의 깊이는 무한한 것이다.
충분히 살아 숨쉴 수 있다. 그것은 오랜 시간을 통하여 다듬고 완성된 경지를
선과 점의 무한함은 상징성이 있다.
"Lee young jun PEN ART 총론"
그것이 진정한 펜의 예술이다.
때문에 흰색으로 나타나는 빛 속에서 영(靈)을 이끌어 들인다.
Flanders’ location on Lake Street in Minneapolis’ Uptown neighborhood includes two spaces, a gallery that regularly features thoughtfully hung group and individual shows, and a separate annex a half block west where an impressive gathering of paintings and prints by unique and accomplished regional artists as well as surprising selections by world known 20th century artists can be found.
검은색은 생명에 대한 이질적(異質的)이고 적대성 (敵對性)이 있다.
이영준( 李 永 俊)
Infinity of lines and dots have symbolism. Such symbolism is ever changing according to the spirit’s depth. All works are kaleidoscopic; they are usually composed of indescribable expressions. Therefore, art’s depth also can be said to be unlimited. Is pen art’s depth also infinite? In other words, do the lines and dots flowing from the nib of a pen have an artistic qualification? In this respect, it is worth thinking deeply. Pen art begins from an essence of nature’s fundamental values. From the standpoint of value, or color, a harmony of black and white is essential in nature. As it is impossible to see any color in darkness, distinguishing color is an essential role of light. That is why the soul is drawn to light. Whiteness, or light is a spiritual reflection of the soul while blackness, or darkness is a reality of life on earth. As the color green is an essential color of vegetation, burnt charcoal is an earthy color that will stay near black. Blackness is heterogeneous and may be hostile to life. If blackness belongs to the essence of nature, it also may be said to represent the image of death. A combination of black and white constitutes degrees of lightness and darkness. When painting black on a white background, the soul is transported to the white background. Whiteness comes to life when contrasted with black line and black space. In this case, soul also may be expressed through the blackness. Soul may be transported to the black or a combination of white and black, which shed a mysterious merit to the soul or spirit. Pen arts starts and ends from an essence of nature’s fundamental contrasts. The primary essence is infinite and eternal while the artistic harmony of black and white can take one’s breath away. But, this is not possible until a metamorphosis has been realized over many years and spiritual transcendence has occurred. The transfer of spirit occurs when one’s life experiences are projected onto the white canvas in harmony with blackness. That is the true ‘pen art.’ Artist Lee Young Jun
Douglas Flanders Associates is a US Art Gallery based in Minneapolis, Minnesota. Douglas Flanders Associates is located at 818 W Lake St, Minneapolis, MN 55408, USA.
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